There was an interview with Richard and Venus - we depicted it in the film - where he interrupts the interviewer who keeps grilling her about her confidence. Will Smith: Like the rest of us, I’ve been following their careers for years. You have an industry that is largely white, patriarchal and misogynistic that has tried to police their genius and they haven’t been able to. But what’s so singular about them is that they are the embodiment of liberated Black womanhood. What they have done for the sport of tennis, that’s one thing. I’m not particularly a tennis fan, but I am a fan of Venus and Serena. What attracted you to this role and this story?Īunjanue Ellis: Venus and Serena are heroes of mine. The Times caught up with Smith and Ellis to discuss the nuances of Black parents and partners, portraying living icons and finding the emotional truth of Richard and Oracene’s relationship. Will gets to be a little bit of Will in there while he’s disappearing into somebody new.” He’s able to really add a lot of flavor to the character based on his own comedic timing. And once Will put on those short shorts, it was game over. “She really added a tremendous amount of depth to her character,” said Green. So Aunjanue got that part right, because it’s challenging sometimes to get the voice of the quietly passionate person.” But everybody needs a kick in the pants every now and then, and that was my mom for my dad. “Listen, they got it right,” said Isha Price, another of Williams’ daughters and a producer on the film. 19, is fully invested in shining a light on the family story at the root of two women who would ultimately claim their places as all-time greats in the tennis world. release, in theaters and on HBO Max beginning Nov. It’s also a moment that reaffirms the Warner Bros. “Rei was like, ‘OK, wherever ya’ll go, I’ll just keep following,’” said Smith with a laugh. It was like ‘forget production design at this point, it’s an amazing moment.’ We’ll figure it out in post.” And of course when the actors came in, the first thing they do is go to the kitchen. “ had designed the house, but the kitchen was a no-fly zone because we didn’t have it period-correct. “It’s funny because it was supposed to happen anywhere else except the kitchen,” said Green over Zoom. And the staging reveals how deeply embedded the two veteran actors were in their real-life roles. It’s a scene that gets to the heart of Reinaldo Marcus Green’s biopic “King Richard,” starring Will Smith as the charismatic but controlling Richard and Aunjanue Ellis as the more reserved but equally formidable Oracene. Oracene supports her husband, but she also lets him know - with devastatingly clear-eyed delivery - how his self-righteousness prevents him from really hearing what his daughters, and his family, need. Richard is adamant that Venus needs to have as normal a childhood as she can when she’s not training. It launches on MUBI January 29.Richard and Oracene Williams, parents of future tennis legends Venus and Serena Williams, are having a fight in the kitchen of their spacious Florida rental home. “Beginning” scored four of the jury’s seven competition prizes at San Sebastian Film Festival: the Golden Shell for Best Film, Best Director, Best Screenplay, and Best Actress for Sukhitashvili. It’s as if I were waiting for something to start - or to end.” “I look in the mirror and a stranger looks back. Struggling to make sense of the world around her, Yana is facing inner discontent. “There’s something wrong with me,” she admits. This is not the first incident,” we’re told in a new trailer for the film. The local police know who they are, but no one is ever arrested. Still, Yana and her community expect the crime to go unpunished. When a Molotov cocktail is thrown into their church during a service, a detective investigates the crime. Set in rural Georgia, “Beginning” tells the story of Yana (IIa Sukhitashvili), the wife of a Jehovah’s Witness. A trailer has arrived for the award-winning drama, which has been chosen as Georgia’s submission in the International Feature category for this year’s Oscars. A Jehovah’s Witness reckons with an extremist attack and a crisis of faith in “Beginning,” writer-director Dea Kulumbegashvili’s feature debut.
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